Dusty
搜索"Dusty" ，找到 以下影视作品
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Netflix过去宣布直接预订10集新成人向动画《天堂镇警局ParadisePD》，该动画由《脆莓公园Brickleberry》的主创WacoO’Guin及RogerBlack负责。於美国时间8月31日上线的《天堂镇警局》讲述一个小镇警局里全是些不知所谓的警察，他们爱废话﹑一点也不酷，根本就是群辣鸡。在预告可见这新作更黄暴、更没节操，看起来？以下是配音阵容：StanleyHopson及DustyMarlow/DanaSnyder声演（下同）GeraldFitzgerald/CedricYarbroughKevinCrawford/DaveHerman（就是《脆莓公园》那胖子的配音）警长RandallCrawford/TomKennyGinaJabowski/SarahChalke警犬Bullet/K...
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大卫·林奇
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大卫·林奇(DavidLynch)的一部鲜为人知的短片以20世纪之交美国西部荒野的一个牧场为背景，讲述了一位头发花白、听觉障碍的牛仔西尔姆(Silm)和他的两个朋友达斯丁(Dusty)和皮特(Pete)捕捉到一个神秘、衣着光鲜的法国人的故事。由于无法理解对方的意思，说俚语的牛仔和不讲英语的法国人使他们无法理解对方的意思...
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内详
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乔治亚州的萨凡纳市是一座谜正常的!有着[多重面孔]的都会,这里也是恶魔赏金猎人MariaAbascal（MenaSuvari）的完善故里。她30多岁,模样令人冷艳,但她的才能却远比模样更主要。她练习有素,在追击恶魔的时间无所害怕。这些恶魔附在其余人身上,假如不是她如许的恶魔猎人,基本不人能分辩出他们的实在身份。她当初的错误是她的亲兄弟David。跟那些被她追踪的人一样,Maria本人体内也有一个恶魔——Abigail。Abigail代表了Maria的暗中面,她专门吸食那些被Maria从其余人体内驱赶的恶魔。Maria跟Abigail共用一具躯体,共享一个魂魄,独特寻求一个目的。Maria尽力以赴想要彻底扑灭Abigail,但她很清晰Abigail为了在她体内永久活下去不吝采取任何手腕。ZacharyBooth表演Maria的兄弟David,他也是一名恶魔猎人,是Maria的密切搭档,但他遭到事实天下[恶魔]的困扰——染上毒瘾,且老是与疑问女人牵涉不清。BillIrwin表演Maria跟David的父亲EnosAbascal,是个异常狡诈!擅长把持他人的罪恶之徒,他引导着如雷贯耳的拜恶魔邪教[长生会]（OrderofEverlasting）。DrewMoerlein表演Maria的漂亮街坊Dusty,参军中退役后在外地干琐务。LammanRucker表演ElijahBledsoe牧师,对Maria颇感兴致,Maria对他也很有好感。Bledsoe牧师的女儿Grace（PaulinaSinger）是个混血人,她阅历了异常恐怖的情绪创伤。演员兼模特LydiaHearst表演北方美人CharlotteRoberts,聪慧美艳,不害怕用本人性感的身材离开达目的。SlateHolmgren表演外地的大毒枭Sweetmouth。LaurenVelez表演Maria跟David的谍报供给人!鬼魂Tetra,她将两人引向被恶魔附体的目的。
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It's the 1940's, in the dusty town of Torres Mochas, the feeling of exhilaration and anticipation spreads through the air. The arrival of the enigmatic American who is expected to marry the youngest of the 5 - "Virgin Josefitas" is on everybody's mind.
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In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.
Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
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皮奥特尔·舒尔金
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耶日·斯图尔
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克里斯提娜·杨达
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卡里娜·谢鲁斯克
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马里乌什·德莫霍夫斯基
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马雷克·瓦尔切夫斯基
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扬·诺维茨基
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亨里克·比斯塔
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莱昂·涅姆奇克
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克兹佐夫·马扎克
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斯坦尼斯瓦夫·伊加尔
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
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布瑞亚·格兰特
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It's 1998 - and over the course of one 12 - Hour Shift at an Arkansas Hospital, A Junkie Nurse (Angela Bettis), Her Scheming Cousin (Chloe Farnworth) and a group of black market Organ-Trading criminals (Mick Foley, David Arquette, Dusty Warren) start a heist that could lead to all of their demise.
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Itsthe1940s,inthedustytownofTorresMochas,thefeelingofexhilarationandanticipationspreadsthroughtheair.ThearrivaloftheenigmaticAmericanwhoisexpectedtomarrytheyoungestofthe5"VirginJosefitas"isoneverybodysmind.
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由艾美奖得主 banger films 出品 zz top: 来自德克萨斯州的 little ol’乐队报告了 billy gibbons dusty hill 跟 frank beard 怎样成为这个星球上最大,最受欢送的乐队之一,同时坚持了超事实主义的奥秘感,在乐队成破50年后仍旧吸引着粉丝跟不雅众。 遭到坦白的乐队访谈!前所未见的档案!动画!名流粉丝见证(比利·鲍柏·松顿,joshua homme 跟更多)以及在传奇的 gruene hall 为这部记录片专门拍摄的密切扮演的鼓励,“谁人小奥尔乐队”贯串了从荒诞到酸楚,从邋遢的德克萨斯酒吧到 mtv 的豪杰主义,所有这所有都是为了庆贺这个家喻户晓的私密,但比生涯更主要的权利三人组。 最后,zz top: 来自德克萨斯的小 ol’乐队报告了一个不凡的故事,这个乐队的抽象咱们晓得,然而他们的故事咱们不晓得。
