Virapond

OneearlymorninginMarch2015,theDanishpolicereceivedacallfromanurseatNykøbingFalsterHospital.Shesuspectsherclosecolleagueofdeliberatelykillingpatientsandfearsthatithasjusthappenedagain.SoonamurdercaseunfoldslikeneverseenbeforeinDanishlegalhistory.Severalco-workersarenowtellingthepolicethattheyalsosuspectthenursehaspoisonedpatients,andsomeeventellthattheyhavebeenwalkingaroundwiththissuspicionforseveralyears.Butwhyhasn’tanyoneresponded?Andwhereistheevidence?

泰勒·斯威夫特新专辑「官方故事」(Folklore)的幕后记录片「官方故事：Long Pond灌音室之会（暂译）」。

Series7ofDoctorWhoisexpectedtoaironBBCOnethroughout2012and2013.[1]TheBBCannouncedthenewsofthenewseries,whichwillcontainfourteenepisodes,ontheofficialDoctorWhositeon8June2011.[2]Series7willbeginitsrunintheAutumnof2012withfiveregularstand-aloneepisodesandaChristmasSpecial.Itwillthenbefollowedbytheremainingeightepisodesin2013.[3]IthasbeenannouncedthattheEleventhDoctor,playedbyMattSmithwillreturnforthefullseries.[4]KarenGillan,whoplaysAmyPond,willreturnfortheseries,aswillArthurDarvillasAmy’shusbandRoryWilliams.[5][6]ThisserieswillseethedepartureofbothAmyandRoryafteranencounterwiththeWeepingAngelsinepisodefive.AnewcompanionportrayedbyJenna-LouiseColemanwillbeintroducedintheChristmasSpecial.

Malo et Stéphane sont deux lycéens un peu loosers, tout juste débarqués du collège. Leur plan pour devenir populaire : accueillir un correspondant allemand et de préférence stylé! Pas de chance pour Malo qui tombe sur une gothique qui va lui faire vivre un enfer…

EPISODES1.EverythingIsBonzer!Airdate:Sep27,2018Michaelintervenesinthenear-deathaccidentsofEleanor,Chidi,TahaniandJasononEarth,inhopesthatasecondchanceatlifeallowsthemtobecomebetterversionsofthemselves.TheSeason3premiere.ViewDetails2.EverythingIsBonzer!-Part2Airdate:Sep27,2018ChidiandSimonegoonadate,andhekissesherafterEleanorprotestshisindecision.ViewDetails3.TheBrainyBunchAirdate:Oct4,2018Michael’sgrandschemehitsanunexpectedsnagandforceshimtotakedrasticmeasures.ViewDetails4.TheSnowplowAirdate:Oct11,2018Asurprisingannouncementfromoneofthehumansthreatenstodissolvethegroup.ViewDetails5.JeremyBearimyAirdate:Oct18,2018Thegroupexploresthethreemainbranchesofethicalthought.ViewDetails6.TheBalladofDonkeyDougAirdate:Oct25,2018JasonvisitswithsomepeoplefromhispastwhileChidigetshelpinresolvingaproblem.ViewDetails7.AFracturedInheritanceAirdate:Nov1,2018Eleanormakesastartlingdiscoverythattestsherresolve,TahanilookstomakeamendsandJanetdoessomebonding.ViewDetails8.TheWorstPossibleUseofFreeWillAirdate:Nov8,2018Eleanorrecallssomeforgotteneventsfromherpast.ViewDetails9.Don’tLettheGoodLifePassYouByAirdate:Nov15,2018MichaelandJanettakeanimportantjourney.Eleanorponderswhethersheshouldshareasecret.ViewDetails10.TheBookofDougsAirdate:Jan10,2019Michael’sresolveisputtothetest.Meanwhile,JasonwrestleswithhisfeelingsandChidisurprisesEleanor.ViewDetails11.ChidiSeestheTime-KnifeAirdate:Jan17,2019Michaelarrangesanimportantmeeting,andJanetmakesareconnection.ViewDetails12.PandemoniumAirdate:Jan24,2019Variouseventsoccur,inacertainspecificorder.

第三季一开场,Earl适应铁窗生涯遇到困难,尤其当他与狱中霸王起冲突时.监狱外也是麻烦不断,Randy无法适应没有Earl的生活,Joy开始照顾这个孩子气的男人.监狱长(CraigT.Nelson)求助于Earl结束狱中不断升级的群殴,同时Randy依然无法适应没有Earl的生活,努力想与他的狱中兄弟重聚。这是GregGarcia笔下所创造的人物。《MyNameisEarl》是Garcia和MarcBuckland一起写的故事，由20世纪福克斯电视台拍摄。Earl’slifehasbeenfullofpoorchoicesandmistakes,butafterwinningasmalllotteryjackpothehasanepiphanyandvowstochangehisways.Upondiscoveringthatheistheholderofawinningticket,Earlishitbyacarandtheticketblowsoutofhislimphandasheliesunconsciousinthestreet.Whilerecoveringinthehospitalandwatchingtelevision,Earlhasakarmicepiphany,thankstoCarsonDaly,whoattributeshissuccesstodoinggoodforothers.AlightbulbgoesoffinEarl’sdimheadandhesetsouttorighteverywronghehasdonestartingwithagradeschoolgeek.

Earl过去的生活中做了许多错误的事情，但是一件事情却使他的生活发生了不小的变化，让他有了重新开始的机会，Earl中了彩票。在知道这一切后，他做了一个重大决定，要用这笔财富来改变他的生活方式，尽力弥补他在过去所犯的错误，他希望这是他新生活的开始。可惜，在他实施这一措施以前，不幸就已经出现了。兑奖前几秒钟，他被汽车撞倒了，而且失去了记忆，彩票也被风吹走了。在医院里，Earl看了《LastCallwithCarsonDaly》的节目，Carson在采访时说，他之所以成功是好心有好报的结果，就在这时，Earl发现真的有因果报应这回事。他想要自己的生活变得美好，所以开始弥补自己以前的错误。最后，他选择了Kenny，一个小学里做滑稽表演的人。帮助Earl寻求改变命运，洗刷罪恶的是他的一群朋友们，尽管他们的头脑有些不灵光：总是比较倒霉的兄弟Randy、非常性感的Catalina、还有Darnell，Earl喜欢去的酒吧CrabShack的老板，他们都给了Earl很多的帮助和支持。但是Earl的前妻Joy却不想帮助他，除非她能从中得到什么好处。尽管Earl的头脑有些迟钝，但是他异常地努力，所以中间也发生了不少的趣事。Earl这个人物非常有自己的特色，有独特的声音和造型。他是GregGarcia笔下所创造的人物。《MyNameisEarl》是Garcia和MarcBuckland一起写的故事，由20世纪福克斯电视台拍摄。Earl’slifehasbeenfullofpoorchoicesandmistakes,butafterwinningasmalllotteryjackpothehasanepiphanyandvowstochangehisways.Upondiscoveringthatheistheholderofawinningticket,Earlishitbyacarandtheticketblowsoutofhislimphandasheliesunconsciousinthestreet.Whilerecoveringinthehospitalandwatchingtelevision,Earlhasakarmicepiphany,thankstoCarsonDaly,whoattributeshissuccesstodoinggoodforothers.AlightbulbgoesoffinEarl’sdimheadandhesetsouttorighteverywronghehasdonestartingwithagradeschoolgeek.

Raj总有个童年时代的友人Tina不如他,但Tina的最好的友人Pooja总比他强。当Raj的百口移平易近到英国后开端到互联网买卖, Raj承诺Tina他与她将坚持接洽,他们的友情地久天长。然而Tina疏忽他,不回他的电子邮件,然而Pooja却回了他的信并以Tina的名义跟他坚持接洽。十五年后,他们的友情经由过程电子邮件着花成果了, Raj信任他意识的Tina,实在是Pooja。他百口决议回到印度带两周度假,当Tina发明白本相,他们决议一同表演。当Raj到了印度,他被Tina的俏丽深深的迷住了,然而却非常不雅赏Pooja的特性。他将挑选谁呢！                                                                    Raj, Pooja and Tina are childhood friends. While Raj has always been attracted to the vivacious Tina, he is completely unaware of the quiet Pooja's feelings for him. When Raj's family move to England to get in册ved in an internet business, Raj promises Tina that he will keep in touch with her and that their friendship will always be forever. However Tina disregards him and chooses not to respond to his first e-mail, in turn Pooja decides to keep in touch with him but signs under Tina's name. Fifteen years later, and their friendship has blossomed via e-mail, Raj believing that he's getting to know Tina when it's really Pooja. His family decides to go back on a holiday to India for 2 - weeks, when Tina discovers the truth about Pooja's e-mails, they decide together that Tina will play along with the charade. When Raj arrives in India, he is struck by Tina's beauty but equally as struck to Pooja's personality. On a coincidence Raj eventually realizes that he had been corresponding with Pooja, and he realizes that Pooja is his true love which forces Tina and her family to accept the fact that Raj and Pooja are suitable for each other and that the two should get marry under any circumstances.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.